Harmony Holiday is the author of Negro League Baseball, Go Find Your Father/ A Famous Blues and most recently Hollywood Forever.. She is also the founder of Mythscience, an arts collective devoted to cross-disciplinary work that helps artists re-engage with their bodies and the physical world in this so-called digital age, and the Afrosonics archive of jazz and everyday diaspora poetics. She worked on the SOS, the selected poems of Amiri Baraka, transcribing all of his poetry recorded with jazz that had yet to be released in print and exists mostly on out of print records. Harmony studied rhetoric and at UC Berkeley and taught for the Alvin Ailey American Dance Theatre. She received her MFA from Columbia University and has received the Motherwell Prize from FenceBooks and a Ruth Lilly Fellowship. She is currently working on a book of poems and lyric essays on Reparations and the body, and a biography of jazz singer Abbey Lincoln. She lives in New York and Los Angeles.
Jorie Graham was born in New York City in 1950, the daughter of a journalist and a sculptor. She was raised in Rome, Italy and educated in French schools. She studied philosophy at the Sorbonne in Paris before attending New York University as an undergraduate, where she studied filmmaking. She received an MFA in poetry from the University of Iowa.
Graham is the author of numerous collections of poetry, most recently Sea Change (Ecco, 2008), Never(2002), Swarm (2000), and The Dream of the Unified Field: Selected Poems 1974-1994, which won the 1996 Pulitzer Prize for Poetry.
About her work, James Longenbach wrote in the New York Times: "For 30 years Jorie Graham has engaged the whole human contraption — intellectual, global, domestic, apocalyptic — rather than the narrow emotional slice of it most often reserved for poems. She thinks of the poet not as a recorder but as a constructor of experience. Like Rilke or Yeats, she imagines the hermetic poet as a public figure, someone who addresses the most urgent philosophical and political issues of the time simply by writing poems."
Graham has also edited two anthologies, Earth Took of Earth: 100 Great Poems of the English Language(1996) and The Best American Poetry 1990.
Her many honors include a John D. and Catherine T. MacArthur Fellowship and the Morton Dauwen Zabel Award from The American Academy and Institute of Arts and Letters.
She has taught at the University of Iowa Writers' Workshop and is currently the Boylston Professor of Rhetoric and Oratory at Harvard University. She served as a Chancellor of The Academy of American Poets from 1997 to 2003.
CAConrad’s childhood included selling cut flowers along the highway for his mother and helping her shoplift. He is the author of 9 books of poetry and essays the latest While Standing In Line For Death is forthcoming from Wave Books in September 2017. He is a Pew Fellow and has also received fellowships from Lannan Foundation, MacDowell Colony, Headlands Center for the Arts, Banff, RADAR, Flying Ojbect and Ucross. For his books, essays, and details on the documentary The Book of Conrad (Delinquent Films, 2016), please visit http://CAConrad.blogspot.com
Simone White is a poet, critic, mother, and program director at The Poetry Project. Her most recent collection of poems is Of Being Dispersed. She was born in Middletown, Connecticut, and raised in Philadelphia. She earned her BA from Wesleyan University, JD from Harvard Law School, and MFA from the New School. White is the author of the full-length collection House Envy of All the World (2010) and the chapbooks Dolly (2008) and Unrest (2013). Her work has been praised for its innovative complexity, allusive song, and “lyric deconstruction of desire, entitlement, blackness, the domestic, language and diction,” in the words of Anna Moschovakis. White has received fellowships from Cave Canem and was selected as a New American Poet for the Poetry Society of America. She is completing a PhD in English at the CUNY Graduate Center and lives in Brooklyn, New York.
Poet/performer/librettist Douglas Kearney’s third poetry collection, Patter (Red Hen Press, 2014) examines miscarriage, infertility, and parenthood. His second, The Black Automaton (Fence Books, 2009), was a National Poetry Series selection. He has received residencies/fellowships from Cave Canem, The Rauschenberg Foundation, and others. His work has appeared in a number of journals, including Poetry, nocturnes, Pleiades, The Boston Review, The Iowa Review, Ninth Letter, Washington Square, and Callaloo. Two of his operas, Sucktion and Crescent City, have received grants from the MAPFund. Sucktion has been produced internationally. Crescent City premiered in Los Angeles in 2012. He has been commissioned to write and/or teach ekphrastic poetry for the Weisman Museum (Minneapolis), Studio Museum in Harlem, MOCA, SFMOMA, the Getty, and the Hammer. Raised in Altadena, CA, he lives with his family in California’s Santa Clarita Valley. He teaches at CalArts, where he received his MFA in Writing (04).
Harryette Mullen is the author of several poetry collections, including Recyclopedia, winner of a PEN Beyond Margins Award, and Sleeping with the Dictionary, a finalist for a National Book Award, National Book Critics Circle Award, and Los Angeles Times Book Prize. Her poems have been translated into Spanish, Portuguese, French, Italian, Polish, German, Swedish, Danish, Turkish, Bulgarian, and Kyrgyz. A collection of her essays and interviews, The Cracks Between, was published in 2012 by University of Alabama Press. A new poetry collection, Urban Tumbleweed: Notes from a Tanka Diary (Graywolf Press) was a “top pick” for fall 2013 by the Los Angeles Times. She teaches American poetry, African American literature, and creative writing at UCLA.
Myung Mi Kim was born in Seoul, Korea. She immigrated with her family to the United States at the age of nine and was raised in the Midwest. She earned a BA from Oberlin College, an MA from The Johns Hopkins University, and an MFA from the University of Iowa. Her collection of poems Under Flag (1991) won the Multicultural Publishers Exchange Award of Merit; subsequent collections include The Bounty (1996), DURA (1999), Commons (2002), River Antes (2006), and Penury (2009).
Brian Blanchfield is the author of three books of poetry and prose, most recently Proxies (Nightboat, 2016; Picador UK 2017), a book of essays---part cultural close reading, part dicey autobiography---for which he received a 2016 Whiting Award in Nonfiction. His poetry collections are Not Even Then (Univ of California Press, 2004) and A Several World (Nightboat), which won the 2014 James Laughlin Award and was longlisted for The National Book Award. He is the recipient of a 2015-16 Howard Foundation Fellowship in poetry, and his poems and essays have appeared in The Oxford American, Harper's, The Nation, BOMB, Conjunctions, The Paris Review, Lana Turner, and Brick. He is host of the poetry-and-music radio show Speedway & Swan, in partnership with the University of Arizona Poetry Center and KXCI Community Radio Tucson. For the Spring 2017 semester he is Visiting Poet at The Iowa Writers' Workshop. http://brianblanchfield.com
Adam Fitzgerald is the author of The Late Parade, his debut collection of poetry from W. W. Norton’s historic Liveright imprint. In 2007, he completed a Masters degree by editing two unpublished essays of John Ashbery at Boston University’s Editorial Institute; in 2010, he received his Master of Fine Arts from Columbia University’s School of the Arts. His poems, essays and interviews have appeared in A Public Space, The American Reader, Boston Review, The Brooklyn Rail, Conjunctions, Fence, and elsewhere. He is the founding editor of the poetry journal Maggy. In 2013, he co-curated the immersive-environment exhibit “John Ashbery Collects: Poet Among Things” for Loretta Howard Gallery. He teaches at New York University and Rutgers University. He lives in the East Village.